top of page

FOLIO

These six images explore how mark-making, scale, and simple forms can hold feelings of belonging, displacement, and home without needing words.

The marks themselves are a way of knowing and discovering, the process remains visible even in the finished piece.

A final image, if it comes at all, is less an answer than a form of closure.

THE GIRL WHO BLINKED TWICE

FOLIO ARTWORK Belonging MURDOCH sandra van doorn.png
Marks and process.jpg
Marks and process 2.jpg
THE GIRL WHO BLINKED TWICE, 2023 

40 x 20cm 
Pencil, pastel, digital 

Masters Art (illustration),
Falmouth University, UK

FLOWERS ON THE FLOOR

Flowers on the Floor Sandra van Doorn.jpg
SCRL_0070.JPG
SCRL_0069.JPG
FLOWERS ON THE FLOOR, 2026 

170 x 170 cm
Acrylic, Pencil, charcoal

Belonging, Oxford St Gallery

PROCESS - THE THINGS WE OUTGROW

IMG_8655.jpeg
marks and process.jpg
marks and process 2.jpeg
PROCESS
THE THINGS WE OUTGROW (unfinished), 2026 

125 x 155 cm
Acrylic, Pencil, charcoal

Belonging, Oxford St Gallery

ROSES IN MY POCKET

INVISIBLE

IMG_8510 (1).jpeg
before .jpeg
IMG_8510 (1)_edited.png
INVISIBLE, 2026

125 x 155cm
Acrylic, pencils, charcoal

PRIVATE COLLECTION

ROSES IN MY POCKETS

Roses in my pockets sandra van doorn.jpeg
detail sandravandoorn.jpeg
IMG_8370 (1).jpeg
ROSES IN MY POCKET, 2026

125 X 155 CM
Acrylic, pencil, charcoal

Belonging, Oxford Street Gallery

PIECES OF ME

IMG_8921.jpeg
IMG_8921_edited.png
IMG_8921_edited.png
PIECES OF ME, 2026

120 X 160 CM
Acrylic, pencil, charcoal

Belonging, Oxford Street Gallery
bottom of page